Paul Nicklen on the Pleasures of Not Photographing
Before describing how a leopard seal tried to feed him live penguins, National Geographic photographer Paul Nicklen spoke to Melissa Block on NPR about the pleasures of not photographing:
“A lot of photographers see the world through their cameras. And I love these animals so much — I like to just sit there, and watch. So no, you have these experiences, and they’re almost as special as the pictures themselves. When I’m on my deathbed, I’m going to be thinking of the bowhead experience and I’m not going to be looking at a bunch of pictures on my wall.”
(Related: Unphotographable, and something I wrote here a long while ago and cannot locate about No Flash Corner and how I used to go there and not take any pictures at all, that I’d watch people and try to learn something about light and people and photography (and how each elbows the other) without putting my camera in anyone’s face, and I realized I learned as much from watching and not shooting as I did when I was shooting, and realizing that, knew that (for me) photography wouldn’t be about the flat photograph, but rather the being there inside the w i d e experience. Many of us ratchet between photographic affection for the emulsion-on-the-neg or the proof-that-you-exist-care-and-were-there or the magic of seeing the image reveal itself in a print, but the root of all of them is to arrive in the first place, ready for anything, with honest interest and your eyes wide.)
For StartersWays of Working, a 10-step introduction to the ins-and-outs of street photography with only nine steps. Or, look at Resources & Discussions.
- “Foreign & Domestic” at Columbus State University, March 12th - April 19th
- New Winogrand Restrospective 2013-2015
- Chuck Patch Discovers Winogrand’s 1964 Worlds’ Fair Women at Boston Museum of Fine Arts
- A JPG Transcript of Jacques Derrida on Photography and Not Being Photographed
- Same Same But Different
- “Street Photography Now” Fails to Cite Sources
- Winogrand/Papageorge MIT Transcription
- Street Photography Now (printer’s proof)
- Reconsidering Winogrand
- Does Haiti’s Crisis Call for a New Photojournalism?