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Barrage of Questions for Michal Chelbin
When the barrage of questions finally started, what the audience wanted to know was: How do you achieve such seamlessness, and such precise—and natural—lighting? Do you shoot digital? No. Do you use special film? No, Kodak or Fuji. A particular speed? 800 for color, 3200 for black & white. A special camera, perhaps? The same Hasselblad and the same lens, always. Photoshop? No—never!
For StartersWays of Working, a 10-step introduction to the ins-and-outs of street photography with only nine steps. Or, look at Resources & Discussions.
- “Foreign & Domestic” at Columbus State University, March 12th - April 19th
- New Winogrand Restrospective 2013-2015
- Chuck Patch Discovers Winogrand’s 1964 Worlds’ Fair Women at Boston Museum of Fine Arts
- A JPG Transcript of Jacques Derrida on Photography and Not Being Photographed
- Same Same But Different
- “Street Photography Now” Fails to Cite Sources
- Winogrand/Papageorge MIT Transcription
- Street Photography Now (printer’s proof)
- Reconsidering Winogrand
- Does Haiti’s Crisis Call for a New Photojournalism?