When the barrage of questions finally started, what the audience wanted to know was: How do you achieve such seamlessness, and such precise—and natural—lighting? Do you shoot digital? No. Do you use special film? No, Kodak or Fuji. A particular speed? 800 for color, 3200 for black & white. A special camera, perhaps? The same Hasselblad and the same lens, always. Photoshop? No—never!