Robert Frank’s Letter to Walker Evans and Two Unrelated Timely Tidbits
I’ve spent some time rewriting “Two Thousand Odd Words on Robert Frank’s The Americans” for print. I’ve always thought the best writers are the best rewriters, which means: I’m happy to be working with an editor. I’ll post again when it’s published. In a small way like “The Americans”, my review won’t be published in print in the United States.
In the meantime, my SF pal Kevin Bjorke has two great documents on photopermit.org that involve Frank’s brief incarceration while making “The Americans” in Arkansas in 1955. See “Robert Frank Arrest Report” and “Robert Frank’s Account of His Arrest“.
As an aside, I had the pleasure to interview Bruce Davidson this weekend in conjunction with my day job and his new exhibition of “Time of Change” in Atlanta. I hope to bring part of it here to 2point8 (as well as a more full report to ACP Now!) before I sneak off to NYC for the Photo Festival and for the Robert Frank event(s) at Lincoln Center.
If you’re in NYC this weekend and want to share a beer, I’m planning a small get together with friends for Saturday night, May 17th. Mail me for info. We did something like this in London last summer, and it was a good bit of fun bringing people together - one of the more memorable nights of last year, from my end. Apparently, I picked a lousy venue in Manhattan, so the location’s currently in play — will update via email.
For StartersWays of Working, a 10-step introduction to the ins-and-outs of street photography with only nine steps. Or, look at Resources & Discussions.
- “Foreign & Domestic” at Columbus State University, March 12th - April 19th
- New Winogrand Restrospective 2013-2015
- Chuck Patch Discovers Winogrand’s 1964 Worlds’ Fair Women at Boston Museum of Fine Arts
- A JPG Transcript of Jacques Derrida on Photography and Not Being Photographed
- Same Same But Different
- “Street Photography Now” Fails to Cite Sources
- Winogrand/Papageorge MIT Transcription
- Street Photography Now (printer’s proof)
- Reconsidering Winogrand
- Does Haiti’s Crisis Call for a New Photojournalism?