Why “tilt-shift”? You’re using tilts and swings to throw the focal plane wonky. I had a friend tell me it’s because you then had to move the focal plane up and down to get it where you want, but that would be “tilt-rise/fall” as shifts are left-right. Hell, David Burnett’s speed graphic doesn’t even have shift. From someone who has been shooting large format for a couple of years, the buzz word is rather irritating.
I do like the shot though, though some of the most interesting tilt-swing work I have seen lately has been of large stadiums and one video utilizing it while shooting from a helicopter flying around Las Vegas.