How To: No Flash Corner
Here’s a map of “No Flash Corner“, a place I consistently photographed for a year. If you’re interested in a combination of extraordinary natural light and the serendipity of street photography, it can’t be beat. Trouble is, it’s seasonal, and extremely fickle. If it’s the slightest bit foggy, it’s just any other corner in the city (with a swell neutral backdrop).
Obsessions are a chance to dig deep into new knowledge. I learned more about photography by consistently photographing that one spot than from doing anything else, before or since. I spent weekends there and came home with nothing. Other days were more successful.
The spot is best in June and July, but those are two of the foggiest months in San Francisco. When the sun’s out, the light is strongest and the bright spots are at their widest. Earlier or later in the year, the spots are smaller, and faster moving, and there’s more variables to wrassle. Here’s a map that shows exactly how it works.
The yellow line shows how things work from April through September. When the sun reaches a point in the sky just north of Post (sometime between 4&6pm, depending on the season), it’ll reflect off the mirrored building due East of noflashcorner. Your subjects, if they’re standing in the right spot, will be brightly lit from two directions at the exact same time. In the fall (the red line), light reflects off a blue-mirrored building (the light isn’t very strong), and bounces down on noflashcorner and three blocks of Grant St.
If you have a flickr account and end-up shooting there, add your pictures to the “No Flash Corner(s)” pool I set-up for capturing global locations with stellar reflected light.
If you like betting on weather, crowds, and whether or not you’ll be lucky enough to align the right subject with the perfect light, give it a shot. Leave the tele-zoom at home and let me know how it goes!
For StartersWays of Working, a 10-step introduction to the ins-and-outs of street photography with only nine steps. Or, look at Resources & Discussions.
- “Foreign & Domestic” at Columbus State University, March 12th - April 19th
- New Winogrand Restrospective 2013-2015
- Chuck Patch Discovers Winogrand’s 1964 Worlds’ Fair Women at Boston Museum of Fine Arts
- A JPG Transcript of Jacques Derrida on Photography and Not Being Photographed
- Same Same But Different
- “Street Photography Now” Fails to Cite Sources
- Winogrand/Papageorge MIT Transcription
- Street Photography Now (printer’s proof)
- Reconsidering Winogrand
- Does Haiti’s Crisis Call for a New Photojournalism?