Rosalind Solomon (redux)
I’ve never seen a book like Rosalind Solomon’s “Chapalingas“. I’m spending more “getting acquainted” time with it than books I’ve picked-up from Winogrand, Parr, Bresson or Arbus.
She’s had shows in the U.S., but she’s had more success abroad. Chapalingas was published by Steidl, in Germany.
I keep bringing her up because my sense is that while she’s clearly in the Arbus strain of street photographers, her work has a broader, more universal appeal. She’s both more candid and more classical that Arbus, though I hesitate to explain why right now. (She studied, like Arbus, with Lisette Model.) I’ve learned a lot in the past few weeks from looking and re-looking at Chapalingas. It’s a four-hundred page book, and you can find it used online for under forty bucks.
Here are a few selections (that are probably on her site as well) that I keep thinking about. All are taken from Chapalingas, copyright Rosalind Solomon 2003. If I remember correctly, these six images are from New Orleans, Tennessee, Tennessee, Hong Kong, Peru & Jordan (I think).
Tag: Second Look
For StartersWays of Working, a 10-step introduction to the ins-and-outs of street photography with only nine steps. Or, look at Resources & Discussions.
- “Foreign & Domestic” at Columbus State University, March 12th - April 19th
- New Winogrand Restrospective 2013-2015
- Chuck Patch Discovers Winogrand’s 1964 Worlds’ Fair Women at Boston Museum of Fine Arts
- A JPG Transcript of Jacques Derrida on Photography and Not Being Photographed
- Same Same But Different
- “Street Photography Now” Fails to Cite Sources
- Winogrand/Papageorge MIT Transcription
- Street Photography Now (printer’s proof)
- Reconsidering Winogrand
- Does Haiti’s Crisis Call for a New Photojournalism?