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	<title>Comments on: Ways of Working #2 (Relax)</title>
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	<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/</link>
	<description>A wide-open view of the practice of street photography by Michael David Murphy, While Seated.</description>
	<pubDate>Fri, 24 May 2013 13:28:45 +0000</pubDate>
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		<title>By: James Kerr</title>
		<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/comment-page-1/#comment-147623</link>
		<dc:creator>James Kerr</dc:creator>
		<pubDate>Mon, 11 Jul 2011 11:15:12 +0000</pubDate>
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		<description>Here's to "The americans" as an ongoing inspiration.</description>
		<content:encoded><![CDATA[<p>Here&#8217;s to &#8220;The americans&#8221; as an ongoing inspiration.</p>
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		<title>By: James Kerr</title>
		<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/comment-page-1/#comment-147622</link>
		<dc:creator>James Kerr</dc:creator>
		<pubDate>Mon, 11 Jul 2011 11:07:04 +0000</pubDate>
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		<description>Thanks for the writing, and photography connection. Best wishes. James Kerr.</description>
		<content:encoded><![CDATA[<p>Thanks for the writing, and photography connection. Best wishes. James Kerr.</p>
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		<title>By: 2point8 &#187; Ways of Working #3 Know Your Gear</title>
		<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/comment-page-1/#comment-5</link>
		<dc:creator>2point8 &#187; Ways of Working #3 Know Your Gear</dc:creator>
		<pubDate>Wed, 14 Sep 2005 19:38:37 +0000</pubDate>
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		<description>[...] 1. Get Over It 2. Relax 3. Know Your Gear 4. Repeatability 5. Honesty 6. Masking 7. Study 8. Develop 9. Persist 10. Share [...]</description>
		<content:encoded><![CDATA[<p>[...] 1. Get Over It 2. Relax 3. Know Your Gear 4. Repeatability 5. Honesty 6. Masking 7. Study 8. Develop 9. Persist 10. Share [...]</p>
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		<title>By: Dennis</title>
		<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/comment-page-1/#comment-4</link>
		<dc:creator>Dennis</dc:creator>
		<pubDate>Wed, 14 Sep 2005 18:30:17 +0000</pubDate>
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		<description>I've heard it said that taking a photo of someone you don't know is an act of aggression.  I think we inwardly know this, and have to overcome it to get those sweet street shots.  Because even though we don't mean aggression, it can be interpreted that way by the subject.

I believe this is part of the battle a good street photographer must face each day.  Some get a thicker skin (the extreme: paparazzi), others find covert ways to do it, which in itself seems devious and stalkerish.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve heard it said that taking a photo of someone you don&#8217;t know is an act of aggression.  I think we inwardly know this, and have to overcome it to get those sweet street shots.  Because even though we don&#8217;t mean aggression, it can be interpreted that way by the subject.</p>
<p>I believe this is part of the battle a good street photographer must face each day.  Some get a thicker skin (the extreme: paparazzi), others find covert ways to do it, which in itself seems devious and stalkerish.</p>
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		<title>By: Russ Morris</title>
		<link>http://2point8.whileseated.org/2005/09/07/ways-of-working-2/comment-page-1/#comment-3</link>
		<dc:creator>Russ Morris</dc:creator>
		<pubDate>Tue, 13 Sep 2005 20:31:43 +0000</pubDate>
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		<description>Watching! Good idea.

I was wondering how obvious you are to your subjects at NFC... do you get many grumbles? That light is so even, it's just perfect.</description>
		<content:encoded><![CDATA[<p>Watching! Good idea.</p>
<p>I was wondering how obvious you are to your subjects at NFC&#8230; do you get many grumbles? That light is so even, it&#8217;s just perfect.</p>
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